Tampilkan postingan dengan label Fernando Di Leo. Tampilkan semua postingan
Tampilkan postingan dengan label Fernando Di Leo. Tampilkan semua postingan
Fernando Di Leo – Avere Vent’anni aka To Be Twenty (1978)

Fernando Di Leo – Avere Vent’anni aka To Be Twenty (1978)



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Avere vent’anni (To Be Twenty) – (the title refers to the famous phrase at the beginning of Paul Nizan’s book, Aden Arabia: I was twenty years old. I will never allow anyone to say that these are the best years of my life.), was shot by Fernando di Leo in 1978. He also wrote the script which dates back to some years earlier and came from the desire to portray new female characters who had established a revolutionary psychology, and attitudes in society after 1968.

The intermediaries for this story are two young travelers, Tina and Lia - played by Lilli Carati and Gloria Guida, both very popular actresses at that time, who leave the Italian provinces and go to Rome to join a “community” and are under the illusion of being able to live in complete freedom, especially sexual freedom, without restraints or limits.

They end up being faced with the crudest and fiercest reality. The film, which maintains a comedy tone most of the time, in actual fact distinguishes itself by the terrible and bloody ending...This unpredictable ending (it is so violent that during the shooting the actresses fainted) disappointed the audience and the distributors. The film was almost immediately removed from screening, cut, re-edited and then shown in theatres with a new “consolatory” ending – the home video version also underwent further transformations.

Di Leo had also written a sort of perfect sequel to the film which was never made, with Guida and Carati as the main characters again, but set in the 1940’s: “Quello che volevano sapere due ragazze perbene”, (What two well-to-do girls wanted to know).





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Language:Italian
Subtitles:English
Fernando Di Leo - Vacanze Per un Massacro aka Madness (1980)

Fernando Di Leo - Vacanze Per un Massacro aka Madness (1980)



29f7c043f76a2bde437fd0d52a185152

Quote:
The film was based on a subject by Mario Gariazzo, a director who in the seventies, gravitated into the orbit of Daunia and to whom Fernando di Leo “lent a hand” by offering advice for his script - for his detective film, The Bloody Hands of the Law - and for the production of his western, Holy Water Joe and the tear-jerker, The Balloon Vendor, a story vaguely inspired by William Wyler's famous film, The Desperate Hours. At the start it was Gariazzo who was to direct it but at the producers' insistence he was finally replaced by di Leo.

The budget was very low (the film was shot in a remote house in the Abruzzo mountains) and the means and number of actors (only four in all) were scarce, but di Leo managed to exploit those limitations in a creative way. He focused on the desolate setting to make the plot oppressive and claustrophobic and developed the psychology of the characters in a negative and neurotic sense in order to produce a constant tension, both in the dialogue and in the action. Although the director considered the film a minor entry in his filmography, Vacation for a Massacre (the original title belonged to an old script for a western which di Leo had written in the late Seventies: it must be said that in the reprints and the home-video market, the film also circulated under the title, Madness - Vacation for a Massacre), over time earned a certain admiration from the audience, especially abroad and particularly due to the violent and morbid pulsations which characterized it.

A word must be said about the leading actor, Joe Dallesandro, who came from Andy Warhol's famous Factory and who on the set, maybe because of an intake of mysterious drugs, was capable of amazing physical feats.

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Language:Italian
Subtitles:English vobsub and s

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