Various - Destricted (2006)

the first short film collection of its kind, bringing together sex and art in a series of short films created by some of the world’s most visual and provocative artists and directors

Balkan Erotic Epic
Marina Abramović, 2005, 13 min
Performance art legend Marina Abramović delves into Balkan folklore to create an instructional series of mis en scènes that explore the crude, magical and mysterious rites of ethnic fertility and virility.

Hoist
Matthew Barney, 2004, 14 min 36 sec
American fabulist Matthew Barney stages the erotics of sexual encounter as it takes place between ‘green man’ and the lubricated drive shaft of a customised deforestation vehicle destined for the Carnival de Bahia.

Sync
Marco Brambilla, 2005, 2 min
American artist and filmmaker Marco Brambilla ransacks porn-film archives to produce a witty, fast-moving montage of money shots.

Impaled
Larry Clark, 2005, 38 min
Larry Clark, cult anthropologist of American adolescence, directs a sensitive yet frank investigation into how, for the generation growing up in the 1980s, pornography has shaped the way they think about sex and sexual fantasy. The result is a riveting documentary about desire and sexual initiation.

We Fuck Alone
Gaspar Noé, 2006, 23 min
Gaspar Noé, maker of Irreversible, the controversial art-house movie whose brutal depiction of rape that left audiences physically sick, now promises to turn you on with a cinematically erotic journey into masturbatory fantasy.

House Call
Richard Prince, 12 min
American iconographer Richard Prince appropriates a segment video that captures the generic gold standard of 1970s porn – big tits, big cock and cumshot – re-shooting it in the manner of the cowboys, girlfriends and outlaws that first made him famous.

Death Valley
Sam Taylor-Wood, 2004, 7 min 58 sec, music by Matmos and Andrew Hale
British art star Sam Taylor-Wood directs a porn star in a droll elegy to masturbation and the great American outdoors.

Screenshot for Impaled:


Screenshot for Sync:


Screenshot for We Fuck Alone:





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http://rapidgator.net/file/6f762439c1d8bd76cf8eda36e3f3c013/Destricted.rar.html

no pass

Various-The Joy of Sex Education: 1917-1973 (2009)

Quote:
From the impenetrably euphemistic to the breathtakingly explicit, this intriguing anthology takes us through 60 yearsof sex education in Britain from the 1910s to the 1970s.All 'unmentionable matters' pertaining to sex are dealt with, from the WW1 warning to soldiers about the dangers of cavorting with loose women in London's West End, Whatsoever a Man Soweth (1917), to puberty pep-talks for girls on how to avoid pregnancy in Don't Be Like Brenda (1973).

Quote:
Some of the old films are perfect nuggets for social historians; others are superbly acted, with no production values spared. A Test for Love, made in 1937 by British Instructional Pictures, had me weeping into my Tetleys. The morality movie concerns the love triangle between Betty, Jim and George, and is set in a seaside cigarette and confectionary shop. It is Jules et Jim for the Craven A-smoking set. Betty (the heroines are almost always called Betty) thinks Jim-the-builder is being unfaithful and goes off in a fast car with fast George. The demon drink is taken, a nasty disease is caught, and soon poor Betty is regretting her “impetuosity”. She downgrades from a hat to a fetching beret and is on the third-class train to her auntie until she is cured. “Oh you fool, it's too late now!” she tells Jim when he returns. But he's an understanding fellow; he proposes to Betty. Jim wants her to “to merry him and be hippy” - yes, even the working classes have cut-glass accents in sex-ed world. It ends with a passionate kiss behind the drawn blinds of the confectioners.

Whatsoever a Man Soweth (1917, 38 mins)
Any Evening After Work (1930, 27 mins)
How To Tell (1931, 21 mins)
The Mystery of Marriage (1932, 32 mins)
Trial for Marriage (1936, 28 mins)
A Test for Love (1937, 28 mins)
The Road of Health (1938, 11 mins)
Love on Leave (1940, 33 mins)
Six Little Jungle Boys (1945, 9 mins)
The People at No. 19 (1949, 17 mins)
Growing Girls (1949, 12 mins)
Learning to Live (1964, 19 mins)
Her Name Was Ellie, His Name Was Lyle (1967, 28 mins)
Growing Up (1971, 23 mins)
Don't Be Like Brenda (1973, 8 mins)
'Ave You Got A Male Assistant Please Miss? (1973, 4 mins)

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no pass

Various - Vintage Erotica Anno 1940 (2003)

Continuing its exploration of the weirdest moments of cinema, Cult Epics brings us Vintage Erotica anno 1940 (aka Les Archives d'Eden), a collection of French porn vignettes covering the early years of celluloid sex from 1900 to 1940.

Through these short films, 15 black & white silent sequences accompanied by a soundtrack, we discover the sexual fantasies of our elders and though, technically, cinema was in its mumbling stage, it is evident that these filmmakers quickly assimilated and mastered the visual potential of this medium. Delivering XXX in various settings (maids, bourgeois, nurses, lesbians, fetish, spanking, nudism without forgetting a Santa Claus cameo!) through different sophisticated shots, involving lots of close-ups, they seem to have established all the rules of a genre that doesn't seem to have changed much in the last 100 years.







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http://rapidgator.net/file/dec468ff4b78d0a2b4ee77dd602e788f/Vintage40s.avi.html

no pass
silent

Various - Vintage Erotica Anno 1950 (2004)

VINTAGE EROTICA ANNO 1950
15 Short Films

Quote:
20 Years before the rise of 1970's hardcore films in the U.S., the commercial pornography produced by the French unleashed a new era of Erotic Cinema.
Suddenly, unlike the common "stag" films of the time, scripts, multiple camera angles, and title credits were introduced into erotic productions.
These extended 15-minute films were intended for private viewing in the back rooms of stores, in homes, and at local brothels. The themes of many of these films were bondage and burlesque; images similar to those produced by Irving Klaw in the U.S. The main difference being that in France the filmmakers would show on-camera sex, and nudity. These films stand out, not only for being ahead of their time, but because they transcend the standards of much of what is being produced today.
Twenty years before the rise of hardcore films in the U.S., the commercial pornography produced in France unleashed a new era in erotic cinema. These 15-minute films were intended for private viewing; but unlike the "stag" films of the time, scripts and multiple camera angles were introduced. Many of these films had "bondage and burlesque" themes similar to the U.S. movies of Irving Klaw -- but in France, the filmmakers would show on-camera nudity, and even sex. These films stand out now, not only for being ahead of their time, but because they transcend the standards of much of what's being produced today.

Volume 3 in Cult Epic's French erotica series showcases the post-War era, including some of its technological wonders, and affordable equipment for the fidgety Phyllises. As “Anno 1950” reveals, Sneaky Pete's grasp of technology didn't just embrace the moving film camera, but all forms of mechanical devices that could be adopted into smaller, more personalized gizmos for the lonely ladies looking for good vibrations.
A case in point is “Women On Their Own,” the first erotic film that kick starts the collection with an adventurous lady and a pneumatic aid (with an unfaltering rhythm). The high-powered close-up lens also gets a test run by a retentive manicurist, and a proboscis aid makes an early film appearance during an era when British and North American couples were still seen sleeping in separate beds (according to mainstream flickers).
It's an amusing, sometimes shocking collection that alternates between graphic sexual episodes, more traditional vignettes (naked girl bathing by a windy brook), and classic burlesque stripteases (low on nudity, high on leopard patterns, Ali Baba costumes, whirring tassles, swinging hips, jiggling chests, and all-around zip-boom-bah.)
The familiarity of the collection's images is what's most surprising; it's akin to reading ancient Roman graffiti that reveals the naughty, wayward thoughts of another generation, barely differing from those of the present. Besides being in black & white, the execution, montage construction, and payoff of these films are identical to contemporary erotica. (Cheesy music is what's lacking, but original underscoring didn't really come into fashion until the next decade.) With the exception of three burlesque shorts, all of the films are silent, and can be viewed with optional projection noise. It sounds like an odd choice, but the sound effects actually transforms the big screen TV into a humble 16mm film screen; all that's lacking are wayward guests, smoke, and vino.

Included in this collection are 15 shorts: “Women On Their Own” (16:07), “Smooth Shaving” (14:01), “Attachment” (11:03), “Woman in the Portrait” (13:33), “The Topless Dancer” (2:15), “Pastoral Pleasures” (6:20), “Untitled” (1:01), “After-Sales Service” (8:24), “Untitled” (1:01), “Peeping Tom” (9:05), “Untitled” (1:23), “Rendez-Vous” (8:34), “The Thief in Jail” (7:23), “Untitled” (2:13), and “Unfaithful Women” (6:43).

http://keep2share.cc/file/5221d33460a57/Vintage_Erotica_Anno_1950_2004_.avi

Language:Silent & Music